London Glassblowing is known for its extensive use of colour but in September our gallery will be transformed when we host Black to White & Back Again, a juried exhibition of stunning work from a diverse range of artists. In collaboration with the Contemporary Glass Society, we set a challenge to make sculptural, decorative or functional glass objects in black, white, clear or any shade of grey in between – and no cheeky bits of colour
This paper focuses on the characteristics and use of transparent homogenous coloured glass for cast ...
A series of centrifugally cast lead crystal forms for the national biennial competition of British s...
This research traces the possibilities of plastic expression regarding the color of the glass and ra...
For the exhibition Art of Glass at the National Museum Scotland and the National Centre for Craft an...
I am hoping to create several glass panels for an upcoming exhibition that include both intrinsic gl...
I am hoping to create several glass panels for an upcoming exhibition that include both intrinsic gl...
Lecture ‘on colour, form and light’, Ausglass Conference 2015, Adelaide, Australia. A lecture about ...
Robert Grosseteste (Bishop of Lincoln 1235–1253) has been described as ‘The greatest mind you’ve nev...
An unlikely combination of artists, medieval historians, philosophers and scientists have converged ...
Over the last 50 years, Britain has had a significant impact on how glass is perceived as an art for...
The British Glass Biennale is the flagship exhibition of the International Festival of Glass display...
James Putnam was co-curator of ‘Glasstress: White Light White Heat’, with Adriano Berengo, Director ...
511 Gallery is pleased to present BLACK AND WHITE: LINEAR DESCRIPTION, an exhibition of art by seven...
Associated events included the Artists Forum/Conference at Te Tuhi, Pakuranga; an artists��� seminar...
This exhibition presents work by six of this country’s leading artists who create art-work using gla...
This paper focuses on the characteristics and use of transparent homogenous coloured glass for cast ...
A series of centrifugally cast lead crystal forms for the national biennial competition of British s...
This research traces the possibilities of plastic expression regarding the color of the glass and ra...
For the exhibition Art of Glass at the National Museum Scotland and the National Centre for Craft an...
I am hoping to create several glass panels for an upcoming exhibition that include both intrinsic gl...
I am hoping to create several glass panels for an upcoming exhibition that include both intrinsic gl...
Lecture ‘on colour, form and light’, Ausglass Conference 2015, Adelaide, Australia. A lecture about ...
Robert Grosseteste (Bishop of Lincoln 1235–1253) has been described as ‘The greatest mind you’ve nev...
An unlikely combination of artists, medieval historians, philosophers and scientists have converged ...
Over the last 50 years, Britain has had a significant impact on how glass is perceived as an art for...
The British Glass Biennale is the flagship exhibition of the International Festival of Glass display...
James Putnam was co-curator of ‘Glasstress: White Light White Heat’, with Adriano Berengo, Director ...
511 Gallery is pleased to present BLACK AND WHITE: LINEAR DESCRIPTION, an exhibition of art by seven...
Associated events included the Artists Forum/Conference at Te Tuhi, Pakuranga; an artists��� seminar...
This exhibition presents work by six of this country’s leading artists who create art-work using gla...
This paper focuses on the characteristics and use of transparent homogenous coloured glass for cast ...
A series of centrifugally cast lead crystal forms for the national biennial competition of British s...
This research traces the possibilities of plastic expression regarding the color of the glass and ra...